It was unclear what image Garibaldi was creating at first, as he rhythmically alternated between dancing and slashing paint strokes to the tune of David Crowder’s “The Glory of It All.” But two minutes later, he swooped the oversized board up into the air—inverting its stance—to reveal a masterfully constructed image of Christ that left the audience gasping at its glory.
Watch Garibaldi’s stunning transition from plain canvas to a majestic portrait of our Savior in the powerful performance below.
